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Not just one way to save and share history...

3/27/2014

 

Like most things in life, it's how a thing is done that determines its value

PictureSgt. Edwin Graves, 37th Mass. Reg., Co. F
Two years ago, not long after my “In Praise of Provenance” post where I talked about the issues raised in Craig Childs’ book Finders Keepers: A Tale of Archaeological Plunder and Obsession, I got an email from a Virginia man who organizes Civil War relic hunting trips. He’d purchased a gold badge that had belonged to Hatfield Civil War soldier Sgt. Edwin Graves, of the 37th Massachusetts Regiment, Co. F, and he wondered if the Hatfield Historical Society might have any additional information on Graves.

Since I’d recently helped to organize local archaeologist Randy Daum’s presentation on his “Old Farms” archaeology dig – our town’s own notable piece of buried history (a Colonial village from the late 17th century) – I might have been quick to pass judgment on a relic hunter as someone stealing history from the rest of us for their own gain. But I had just read Finders Keepers, and that brought my understanding to a much higher level, where the “good” and the “bad” were not so easily distinguished.

This relic hunter’s name is John Kendrick, and he and I went back and forth several times via email. I have to admit I learned more about Sgt. Graves than he did. Today, in the week before the opening of our revamped Civil War exhibit, including Edwin Graves, it seems appropriate to share his reply (with his permission).


PictureCamp of the 37th Mass. Vol's. near Brandy Station, Va.
Oct. 18, 2011

Hi Kathy, I'll tell you a little about how I acquired Edwin's ID badge. I have been in the hobby of Civil War relic hunting for over 40 years. I now run a small business here in Virginia that holds annual events where relic hunters from all over the country come to relic hunt private property where Civil War activity took place.

There are those that think relic hunting is stealing history and they call us looters and pot hunters. I feel very differently about that. If we didn't recover these artifacts they would never be seen or held again. These areas are remote and the archaeologists will never have the
 funding, time or even a reason to excavate these little camps. The land will soon be put into conservation easements never to be developed. We are lovers of history and many of us have a ball sharing our passion with schoolchildren and interested groups.

I have a presentation coming up at Culpeper Christian School and want to concentrate on the 37th Mass. Regiment -- hence my interest in Sgt. Edwin Graves. The look on children's faces when they actually get to hold an artifact from the Civil War is priceless!

During our Spring event we located the 1863/64 winter encampment of the 37th Mass. Infantry Regiment. There is a period lithograph [at right] depicting the camp and you can stand on the spot where the artist made his drawing and it looks very much the same as it did 147 years ago. Gives me cold chills.


PictureImages by Divido; Courtesy of John Kendrick
There were many artifacts recovered at that event and one of them was Edwin Graves gold ID shield. It is absolutely beautiful. Solid gold with a white gold or platinum square in the Masonic emblem on the front. The back is a little hard to read, but says "E Graves, Co F, 37th Regt. Volunteers.” It's about the size of a dime.The pin obviously broke and he lost the shield while there. The 37th left that camp on May 3rd, 1864 and marched south on the Plank Road. Edwin was wounded on May 6th and died in Fredericksburg on May 21st.

The ID shield was recovered by a young man on the second day of our 3 day event and it was the best find of the event by far. He has since found it necessary to part with it. He wanted more for it than I could afford to pay but I simply couldn't bear the thought of someone buying it to make a profit and it falling into someone's hands who didn't appreciate the pin for what it was and the history behind it. The young man had tears in his eyes and his hands trembled when he handed it to me. It's now in my collection and will remain there as long as I am around.


PictureImages by Divido; Courtesy of John Kendrick
I have found quite a few references to Edwin. The best one is from Recollections of the Civil War by [Mason Whiting] Tyler, printed by Putnam and Sons in 1912. You can read it online and on page 146,  Capt. Tyler writes almost a whole page on Graves. Another is The Civil War Letters of Joseph K. Taylor of the Thirty Seventh Massachusetts Volunteer Infantry by Kevin C. Murphy. Taylor was Graves hut-mate the winter of 1863/64 and mentions him numerous times in his letters home.

I am interested in any information on Graves. I will most likely travel to Hatfield this coming Spring and would love to show you the shield. I want to visit his grave and maybe see his home if still standing. 

By recovering and documenting artifacts for present and future generations to see and hold, not simply to be measured, recorded and put into some warehouse somewhere never to be seen again, we are doing some good.

Our business maintains a forum called mytreasurespot.com. My wife and I run the forum and business. We work very hard to run a decent organization and have donated close to
$100,000 in seven years to Civil War and community-based charities. We took donations for our local food closet at a recent event and collected 7,500 items for the closet. The money we give landowners for the event helps improve the farm operations in our area and pay taxes for some struggling farmers.

I have retraced [Edwin’s] steps south from the camp to the place of his wounding. Much of the landscape is unchanged today and sometimes I can almost feel his presence...the more I learn about him, the more he becomes alive for me. History is wonderful and I have a wonderful hobby! Thank you for your interest Kathy.

--John



Childs’ Finders Keepers is about exactly this conundrum: leave it in the ground where it
will likely rot and never be seen by anyone? Or be covered by a mall parking lot or development? Or, dig it up, either by archaeologists or relic hunters and a) pack it away in a drawer in a university archive? b) sell it to the highest bidder, who may be a private collector and keep the artifact to themselves or c) share it (in some fashion) with others interested in history? The author does not come down cleanly on any side, except on the value of provenance.

To my mind, what John Kendrick and others like him are doing here – searching out and sharing background and detail, the provenance, effectively, that had been lost – is what makes history come alive -- and not just for kids.

P.S. Speaking of provenance, here’s a post from a blog called “Touch the Past,” where a relic hunter recommends taking a GPS reading of your find so you don’t lose the historical value of its placement in the ground. Now that seems like something folks could agree on.

In Praise of Provenance

9/22/2011

 
Picture
It was not until finishing Craig Childs’ Finders Keepers: A Tale of Archaeological Plunder and Obsession* (2010, Little Brown) for the second time (the first time was just for fun), that I could finally put into words why I feel such an attachment to some artifacts in our museum. It is because they have a story.

Childs does a fascinating and thought-provoking job of explaining the immensely complicated world of collecting cultural stuff, mostly buried artifacts, whether held in private collections or public museums. He finds no easy answers, but whether you collect an Anasazi pot from the American Southwest or, in our case, a hand-made wooden shuttle given as a present from a man to a woman (perhaps a father to a daughter?), the value of a piece is greatly enhanced by knowing and sharing where it came from – its provenance.

My maternal grandmother Josepha Bushey was the Queen of Provenance. What I’ve found so interesting about going through her memorabilia (she died in Newton, KS, in 1980), is that she left stories with almost every item she saved. Her methods were low-tech (most often a hand-written note pinned to a piece of fabric), but they give us not only a window into her past, but a window into life at an earlier time.


Take this little square of black netting. Alone, it is just a worthless scrap of fabric that might as easily go to Goodwill as to the trash. Instead, I learn from my grandmother’s note that she attended Marymount College in Salinas, Kansas, in the 1920s – and that she had to wear this veil to chapel every day, accompanying her uniform of navy wool serge with a stiff white collar and cuffs. But, she notes, they could wear a dress of their choice on Sundays (after church, that is). That’s a lot of information out of so small and seemingly insignificant an artifact. And she wrote many such notes.

In our museum, we of course have artifacts that bear similar tags – such as “Mary Wait Allis’ neckchief, worn to church when church was in the middle of the road, about 1840.” But for every object that bears that much of a note, we have 10 with nothing more than an item name, collection number and donor.

In most cases we can’t produce an orphan artifact’s provenance now – it is too late. But my grandmother’s anecdotes have made me realize two things: one, that I should start writing notes for my own (and my children’s) keepsakes, and two, that I should try to get stories and context with every new artifact that comes to our museum.

As Child’s says in his book Finders Keepers, “We may be making more archaeology all the time, but once the original context is lost, that story is over.”

*This post will be the first of several that reference Craig Childs’ Finders Keepers, as he raised so many thought-provoking issues relevant to the plight and challenges our local historical museum faces today.



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    Curator's musings...

    As the curator of a small town Historical Society museum, I wonder a great many things. Am I alone in these thoughts that come to me while driving, or exercising, or falling asleep at night? Is it unusual to be constructing displays and writing copy in one's head for an enlarged museum space that does not, as yet, exist?

    If you're wondering about the blog title, "bird by bird," see my First Post for an explanation! Click HERE to read it.

    When I'm not thinking about our museum or rehousing artifacts with my fellow museum committee members, I'm working with our exhibit committee to plan physical or virtual exhibits, and working with our board to help fundraise.

    I invite your comments and reactions.

    --Kathie Gow,
    former curator, 2010-2021


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